![]() I recounted this quote to Rogowski during a Q&A at CIFF last fall, and he provided a memorable response. Franz does that with such grace, and it’s so much fun to watch.” During my conversation with Lass at the Chicago International Film Festival, he noted that “an important quality to have in improvisation is you can’t be afraid that your character will possibly end up as the loser of the situation. He easily walked away with his scenes in Michael Haneke’s “ Happy End,” going toe-to-toe with the great Isabelle Huppert, inhabiting the role of her troubled son, Pierre. From his breakout roles under the direction of Jakob Lass (“Frontalwatte,” “Love Steaks,” “Tiger Girl”) to his staggering showcase in Sebastian Schipper’s one-take wonder, “ Victoria,” the 33-year-old German actor has mesmerized viewers with his humor, raw magnetism and startling vulnerability. “Transit” also serves as the latest triumph in the career of Rogowski, who’s quickly gaining an international reputation as one of the leading talents of his generation. The film’s elegant portrayal of a deliberately jumbled narrative is best described by one of its own lines, “a confused story in immaculate handwriting.” His emotions become complicated, to say the least, when he finds himself repeatedly encountering the author’s wife ( Paula Beer, star of the Oscar-nominated “ Never Look Away”). Our protagonist is Georg ( Franz Rogowski), a man attempting to outwit Nazis by posing as a dead author, hoping the new identity will assist him in escaping France. ![]() Petzold’s brilliant script, adapted from Anna Seghers’ novel, reflects how fanatic nationalism continues to rise across the world, popularizing forms of intolerance that had once appeared to have no future apart from collecting dust in history books. ![]() Set in a Marseilles overtaken by fascist forces, the line between past and present is obscured in a way that feels eerily prescient. German auteur Christian Petzold’s new film, “Transit,” takes an entrancing look at the ghosts that walk among us, searching for people who may no longer exist. ![]()
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